My painting practice resurrects and reinterprets cultural histories and mythologies through a queer and feminist lens. I create symbolic, narrative-driven compositions that challenge binary thinking, reclaim silenced histories, and center marginalized identities. Using traditional and experimental techniques, I build layered worlds that combine the fantastical with the political, inviting viewers into spaces that question dominant narratives and open new possibilities for understanding identity, power, and transformation.

Recurring themes include the reclamation of myth, the celebration of queer and feminine power, and critiques of social constructs. In Doppelgänger, two female figures embody opposing archetypes, exploring how societal binaries distort identity. Adam’s Garden reimagines Eden with a non-binary Adam and vaginal flora, centering queerness at the origin of life. Origin of the World celebrates the divine feminine through Isis, presiding over a surreal, matriarchal landscape of renewal and strength.

My process allows imagery to emerge organically, embracing immediacy, rawness, and the unexpected. Vibrant color and rhythmic movement convey emotional intensity, while the work balances dark humor with tenderness, enhanced by iridescent pigments and glitter that reflect shifting light and produce a subtle glow throughout the day.

My paintings reclaim space for queer and feminist voices, inviting viewers into worlds where the overlooked and silenced are rendered complex, powerful, and enduring.